Dear friends and participants,
This is a reminder that tomorrow night's Convergence culminates in a performance evening with engaging work by Heather Ács, Silas Howard, Laura Boo MacDonald and Damien Luxe. Entrance is $10, but we have 10 half price spots available for those who contact us in advance!
There will be a Q&A after the performances (around 10:30pm) hosted by Jordan Arseneault.
Heather Ács’ piece “what the brain forgets and the heart denies, the body remembers…” explores illness, death, grieving and loss refracted through working class Appalachian and Mexican cultural imagery, creating a nonlinear world layered with movement, gesture, storytelling, soundscape, video, and installation. In this multi-media solo performance piece, time and testimonies loop, break apart, burrow, reemerge, and cross over. Breath taking, glass breaking, gifts are bestowed. Sparrows descend, tortillas and tears sizzle on the comal, a river flows with dirt and glitter. Lesley Gore croons cotton candy lyrics laced with razor blades while dust gathers in an empty house. Stitch it all together with string theory and skeleton keys, stuff into a mason jar, shake until your heart might break, check your pulse, make a wish, and see what rises to the surface.
Silas Howard's “Thank you for Being Urgent” is a textured tale of a transman coming up in the queer punk world of San Francisco and spilling into the crappy and exalted glitter of Hollywood. Silas Howard searches for true tales of fierce outsiders and re-imagines the mainstream, never loosening his grip on the underground. Our hero begs sanity from mystery man Mr. Hollywood through playful and plaintive letters, ruminating on desire, shame, and the infinite loopholes in the American Dream. Traversing serendipitous heights and punishing ironies, Thank you for Being Urgent chronicles burlesque dancers with dementia, tranny jazzmen and film executives, using archival photos, monologues and charm.
Laura Boo MacDonald (aka Douche La Douche)'s "Throw Myself" is a full body memory of a childhood spent taking vicious tantrums. Tantrums (and the children who take them) are seen as shaming themselves and their parents with their ill behaviour that does not conform to socially accepted norms for emotional expression. As an adult who has learned that one is expected to deal with stress, trauma, loss, anger, sadness, panic and grief while remaining outwardly composed and unaffected, memories of childhood tantrums become a dream of release and relief. This performance raises questions about self-care practices, mental health and the tragedy of adulthood while simultaneously testing the boundaries between public and private.
Damien Luxe is presenting the Hot Pink Mass, a performative church service for freaks, perverts, weirdos and magical creatures. Drawing from five different religious traditions, the piece combines humor, acknowledgement of desire and a vision of social justice to inspire. Honoring feminine hero/ines and instigating our individual and collective power to manifest change, the Mass asks participants: what do you deserve, and how can you make it happen?
Stick around for a round table Q&A with all four artists. Hosted by Jordan Arseneault (aka Peaches Lepage, Tooloose Letrick, Aïda Cökenbalz)