tag:blogger.com,1999:blog-81167104996558415932024-03-19T00:07:35.641-04:00thedutymythJordan Arseneault:
<br>Social artist, performer, translator, activist
(Montréal, Québec)
<br>Artiste socialement engagé, interprète, traducteur, activistethedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.comBlogger61125tag:blogger.com,1999:blog-8116710499655841593.post-85240231310133375382015-06-17T09:28:00.003-04:002015-06-17T09:28:48.977-04:00Vous êtes le garçon avec qui je veux partager mon argent (VELGAQJVPM$) au Festival Jamais Lu<div class="separator" style="clear: both; text-align: center;">
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<span lang="FR-CA" style="mso-ansi-language: FR-CA;">Synopsis :
<i style="mso-bidi-font-style: normal;">Vous êtes le garçon avec qui je veux
partager mon argent </i>(Performance de 20 minutes pour le <a href="http://www.jamaislu.com/?attachment_id=2347" target="_blank">Festival Jamais Lu,2015</a>)</span></div>
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<tr><td style="text-align: center;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRlhO65FQo4b4GcAc6a3kOebn2PDEZHOOu84zrt1FOqna7xLfrWxRM71cIXG2_1un42gSv38kRdTlkSqHj8YTGCVOXsGhnUvkHLcSoHDsFYbC_yWI4SE34GyCJ22rZnGxk5U4CPLhFlao/s640/VELGAQJVPM%2524+Burnett+Jamais+Lu.JPG" style="margin-left: auto; margin-right: auto;" width="480" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jordan Arseneault (Peaches Lepage) in VELGAQJVPM$ au Festival Jamais Lu 2015</td></tr>
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<span lang="FR-CA" style="mso-ansi-language: FR-CA;">Entremêlant
chansons et monologues à la deuxième personne et dans son personnage drag queen
(Peaches Lepage), Jordan Arseneault propose<i style="mso-bidi-font-style: normal;">
<b>Vous êtes le garçon avec qui je veux partager mon argent</b></i> pour la soirée
scotch. Inspiré de l’album de <i style="mso-bidi-font-style: normal;">spoken word</i>
et musique de Laurie Anderson, William Burroughs, et John Giorno, <i style="mso-bidi-font-style: normal;">VELGAQJVPM$</i> crache sur l’amour, l’argent
et d’autres mythes en employant la voix mise en boucle direct et d’autres
effets moyennement pas chers. Qui sommes-nous sans nos dettes, sans nos
propriétaires et sans nos ex-amants? L’appartenance n’est-elle pas une réponse
à une éternelle carence? Aucune réponse à tout ça dans cette pièce, parce que
ça paie seulement 200 $, mais on va tenter de vous divertir malgré tout.(Sous invitation de l'écrivain Éric Noël, qui a présenté sa nouvelle oeuvre la même soirée.)</span></div>
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<tr><td class="tr-caption" style="text-align: center;">Jordan Arseneault (Peaches Lepage) in VELGAQJVPM$ au Festival Jamais Lu 2015 - Photo par Richard Burnett</td></tr>
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<br />thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-60286639656994275032015-02-27T17:52:00.001-05:002015-02-27T17:52:12.830-05:00Peaches Lepage @ The Funkshon "I actually identify as a drag practitioner"<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
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<tr><td class="tr-caption" style="text-align: center;">Peaches Lepage (Jordan Arseneault) & Connie Lingua (Antonio Bavaro) - Photo by Georgios Sousa GeoPhotos514</td></tr>
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Thank you to Candy Kane @ the Funkshun for letting Peaches Lepage mouth off before our Laureen Harper-themed drag show on Sunday night, 22 February 2015. </div>
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"Most of life is really quite dreary for a lot of people. And it's really our job as artists and performers to be able to be entertainers but not avoid the serious shit. In that way, Peaches and I are very similar." - Peaches Lepage</div>
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<br />thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-6774160216183102502015-02-08T19:36:00.000-05:002015-02-08T19:36:41.646-05:00The Work of Media Art in the Age of Hashtag Politics<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgAaK39Aa7k_8diFykwa4X5YUUEIRj04Xc30F14HvUDm5vLrsqVGsi-XB0mWhM0ZvRM5s-_kYSWFB8NHQHUgM679zALjAXvIzKvj_-PKixHruadj8n9GUN02tGEfv-GMJQoCWq9TmBr88/s1600/central+remote+on+edge+peterborough+trent+Feb+2015.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgAaK39Aa7k_8diFykwa4X5YUUEIRj04Xc30F14HvUDm5vLrsqVGsi-XB0mWhM0ZvRM5s-_kYSWFB8NHQHUgM679zALjAXvIzKvj_-PKixHruadj8n9GUN02tGEfv-GMJQoCWq9TmBr88/s1600/central+remote+on+edge+peterborough+trent+Feb+2015.PNG" height="266" width="400" /></a></div>
<span class="fbPhotosPhotoCaption" data-ft="{"tn":"K"}" id="fbPhotoSnowliftCaption" tabindex="0"><span class="hasCaption">Big thanks to Vincent Chevalier Ger Zielinski <a href="http://artspace-arc.org/workshop/the-work-of-media-art-in-the-age-of-hashtag-politics/" target="_blank">Artspace</a> + <a data-hovercard="/ajax/hovercard/page.php?id=468669239930322" href="https://www.facebook.com/desearchrept">Desearch Repartment</a> for bringing me to Peterborough this weekend and allowing me to tell the story of Poster/VIRUS "SILENCE = SEX" at this panel last night. Thank you to my host, Dave, and kudos to Kris Harzinski + Will Haughery, Topher McCulloch for all their work too. Photo + support by co-panelist Jess Mac </span></span><span class="fbPhotoTagList" id="fbPhotoSnowliftTagList"><span class="fcg">at <span class="fbPhotoTagListTag withTagItem tagItem"><a class="taggee" data-hovercard="/ajax/hovercard/page.php?id=423716461018456" href="https://www.facebook.com/TheoryCulturePolitics">Trent University: Theory, Culture & Politics</a></span>.</span></span>thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-62857707237816327942014-12-16T10:48:00.001-05:002015-06-19T08:45:26.758-04:00SEROCENE work-in-progress photo documentation <table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: left; margin-right: 1em; text-align: left;"><tbody>
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<!--StartFragment--><i><span style="font-size: 12pt;">SEROCENE
– </span></i><span style="font-size: 12pt;">Scene
1. Photo by Theodore Kerr</span><!--EndFragment-->
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<i>SEROCENE </i>– finale.
Photo by Eren Bilgin (MIX NYC, 2014)<o:p></o:p></div>
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<i>SEROCENE </i>– Scene
6. Photo courtesy of Visual AIDS instagram by Nelson Santos. <o:p></o:p></div>
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<i>SEROCENE – </i>Scene
2. Photo courtesy of Visual AIDS Instagram by Nelson Santos<o:p></o:p></div>
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<i>SEROCENE </i>– Scene
6. Photo courtesy of Visual AIDS Instagram by Nelson Santos. <o:p></o:p></div>
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thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-16233654036979133902014-10-25T18:13:00.000-04:002014-11-02T10:57:34.776-05:00SEROCENE: NEW performance collaboration premiering at MIX NYC Nov. 15, 2014<b><i>SEROCENE</i></b><br />
NEW performance collaboration premiering at <a href="http://www.mixnyc.org/27/event/serocene/" target="_blank">MIX NYC</a> Nov. 15, 2014 (7:30PM @ <br />
<span class="_5xhk">MIX HIVE, 337 Butler St., Brooklyn, NY 11217)</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpYKetEfhAuF_OiT93382foC0ucad8wg-JjvSFHUEnYK4rYZ8_x7hXbrLskxVOyTQkcnspKPuuofAOvASwKfpOC6vPsGzeaiSe9KOu8vSAGoYfU5khgSjbvC2Jg6PWh8jnBWDCJ-Vy6Ls/s1600/SEROCENE+web+size.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpYKetEfhAuF_OiT93382foC0ucad8wg-JjvSFHUEnYK4rYZ8_x7hXbrLskxVOyTQkcnspKPuuofAOvASwKfpOC6vPsGzeaiSe9KOu8vSAGoYfU5khgSjbvC2Jg6PWh8jnBWDCJ-Vy6Ls/s1600/SEROCENE+web+size.jpg" height="218" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">SEROCENE promo image by Matthew Robin Nye (photo inset by Julio Pantoja) 2014</td></tr>
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<b>Jordan Arsenault + Matthew-Robin Nye</b><br />
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A new interdisciplinary performance employing original music (live voice and cello), movement, projected animation, and drag to engage with histories of body dysmorphia, HIV, and queer overcomings. <b><i>Serocene</i></b> is an original presentation which will have its premiere at <a href="https://www.facebook.com/events/300972280106635/" target="_blank">MIX NYC</a>.<br />
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The performer, Jordan Arseneault, uses song, costume, monologues and elements of cabaret-style drag to evoke as-yet unspoken connections between his experience with body dysmorphia and contracting HIV. A performance collage that seeks to synthesize personal, mythical, theoretical and social facts, <b><i>Serocene</i></b> will point to connections between child obesity, anorexia, HIV, and finally, the quest for a new self-image requiring a transformation of the world around him and the worlds within. This performance will be co-composed with a projected visual narrative created by Matthew-Robin Nye. Jordan’s work speaks directly to Matthew-Robin’s academic and artistic output outlining a path towards ‘Queer Futurity’. With Peaches LePage, Arsenault’s drag alterego, Nye will paint a re/creation myth of a borderless hybrid identity and his/her utopian landscape.<br />
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Rather than merely tell a personal story, <b><i>Serocene</i></b> will invite spectators to consider their own histories and possibilities for transformation, both of the world and of themselves. Employing performance and video installation, personal narrative as well as affective text, we will present a story of potentiality and radical acceptance.<br />
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Arseneault: <br />
<a href="https://twitter.com/jordanarsen">https://twitter.com/jordanarsen</a><br />
<a href="http://whatshouldwecallyourgirlfriend.tumblr.com/">http://whatshouldwecallyourgirlfriend.tumblr.com/</a><br />
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Nye: <a href="https://vimeo.com/matthewrobinnye">https://vimeo.com/matthewrobinnye</a>thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-91413855888620642862013-11-14T11:49:00.001-05:002014-12-16T11:47:24.950-05:00New portrait by Tristan Harris (E x q u i s i t e C o r p s e)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4XR2b2yzZX8uq1aqzzexxC2feULAdLxHVqv7rM25z3E3Lh3eNaJ7h9MDC5H7Nsbuh1aT9R6v6424ItSjJ-u5WakBqd4rab8N6AyIu1FBJ5Vd88Mq9OffFEWB5nDry5Omj1HLapKNg-iM/s1600/Jordan+by+Tristan+Harris+tumblr.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4XR2b2yzZX8uq1aqzzexxC2feULAdLxHVqv7rM25z3E3Lh3eNaJ7h9MDC5H7Nsbuh1aT9R6v6424ItSjJ-u5WakBqd4rab8N6AyIu1FBJ5Vd88Mq9OffFEWB5nDry5Omj1HLapKNg-iM/s640/Jordan+by+Tristan+Harris+tumblr.jpg" height="200" width="115" /></a></div>
Jordan Arseneault (author) for fall 2013: Photo by Tristan Harristhedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-10864649761348778312013-11-11T11:20:00.001-05:002013-11-11T11:20:13.190-05:00On socially engaged art and "It Matters How You Get Here" (Montréal, April 2013)<div style="color: #444444; font-family: Helvetica; font-size: 12px;">
"There's really no such thing as the 'voiceless'. There are only the deliberately silenced, or the preferably unheard." – Arundhati Roy </div>
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“We can never really challenge any form of social organization without challenging all of that organization’s forms of language. [...] When freedom is practiced in a closed circle, it fades into a dream, becomes a mere image of itself.” - Guy Debord <i>On the Passage of a Few Persons Through a Rather Brief Unit of Time </i>(1959)</div>
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“This is the kind of artwork that makes cynics roll their eyes, because they feel that it limits what is often described as “the autonomy of art.” Referencing the pioneering beliefs of skeptics such as Theodor Adorno, they often voice a concern that this kind of work is neither good politics nor good art. Such critiques should be expected, for socially engaged artwork certainly does defy one of art’s most longstanding principles: uselessness.” Nato Thompson “Socially Engaged Art is a Mess Worth Making”, catalogue essay in <i>Spontaneous Interventions </i>(2012)</div>
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“A work of art is good if it has sprung from necessity. In this nature of its origin lies the judgment of it: there is no other.”<span style="color: #444444; font-family: Helvetica;"> – Rainer Maria Rilke <i>Letters to a Young Poet</i></span></div>
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“My milk shake brings all the boys to the yard / And they’re like / “It’s better than yours,” / Damn right it’s better than yours / I can teach you, / But I have to charge” Pharrell Williams and Chad Hugo, “Milkshake” (2013)</div>
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<tr><td class="tr-caption" style="text-align: center;">Jessica MacCormack and Jordan Arseneault (author) - photo courtesy of David Ward (April 2013, Montréal)</td></tr>
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<b>Can it Always Be Like This?</b></div>
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By Jordan Arseneault</div>
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When Ramona Benveniste and Muriel Jaouich invited me to participate in the round table “Socially Engaged Art – What Role can It Serve, Who is it Really For?” with Lisa Ndejuru and Jessica MacCormack, I had to start by immediately considering the three questions that I think should ground socially engaged art, and that ground my practice:</div>
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<li style="color: #232323; font-family: Helvetica; font-size: 12px; margin: 0px;">Whom are we speaking with and who has allowed/invited me to speak?</li>
<li style="color: #232323; font-family: Helvetica; font-size: 12px; margin: 0px;">Who are my audience and how much participation would they like or need?</li>
<li style="color: #232323; font-family: Helvetica; font-size: 12px; margin: 0px;">What do I have to contribute and what can I learn?</li>
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Arriving at the CRCS St-Zotique space, it was a brilliant sunny day, perfect for experiencing Courtney Maze’s hyperbolic reverse tourism performance in Sir-Georges-Étiienne-Cartier Park, which some may have had enjoyed in lieu of the round table. Unlike some in-situ art projects, ARTX480 chose to occupy the pool house in a period during which it was not being used by the local community, which, however coincidental that may have been, had a significant impact on the ethics of “It Matters How You Get Here.” While the works installed interacted to varying degrees with the specifics of the place itself, the overall effect was one that is often attributed to social engaged practice, that of utopianism. The fleeting sense of “Why can’t it always be like this?” that one often feels when united with peers or collaborators around a common goal in a situation somehow out of “regular time” was a quality that I feel whenever I interact with thoughtful socially engaged work, and was very much felt that day. </div>
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The opportunity to sit in a circle with the nearly thirty people who came to the round-table was imbued with this feeling as well. (Rearranging the chairs in the room from rows to a circle was the first thing I did when I arrived.) For many of the students in the class, the chance to collectively consider ideas and produce work that is informed by group dialogue is not something that is a given in the “real world” of solo shows and art careers and “trying to get by on your art.” The opportunity for community exists if created intentionally, but for many, may not be continued after graduation. <span style="color: black;">If utopia is a “no-place” then I would propose that a lot of socially engaged art deals with being “u-pragma” or “not a thing”: attribution becomes slippery, and ideally, the need for it slips away. It does not mean that it cannot be imagined, experienced, paid for, or appropriated, but it is difficult for socially engaged art to be bought, sold, or owned, at least in the same way that other so-called Intellectual Property is. This is one of its many challenges and opportunities.</span></div>
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Beside me, Lisa Ndejuru spoke to the themes and complications of her practice, which is conversational, performative, and inspired by theatre of the oppressed techniques. Her playback theatre interventions involve discussions with participants on topics of war and genocide, notably the Rwandan Genocide, of which some of her family were survivors. Her presentation focused on crucial themes of vulnerability and risk, of which practitioners must be aware if they dare to directly address triggering themes with their participants.</div>
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Lisa Ndejuru: “I have been struggling for decades with what it means to be Rwandan-Canadian<span style="color: #323333; font-family: Helvetica;"><b>—</b></span>what Rwanda’s tortured narrative of colonialism, war, genocide, dislocation and poverty has meant and could mean for my family, my community, my country, my world. I have some ideas. But before I can ask others to risk moving toward the wellness I long for, I must grab the talking stick, step into the story circle and explore those risks myself.”</div>
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After our two presentations, I divided the participants into groups – in a somewhat brutally arbitrary way, I’m afraid – to discuss what socially engaged art could be, and how to avoid the pitfalls of didactic or “missionary-style” art, where the artist alights with knowledge or skills that they assume the participants either don’t have or would necessarily benefit from. We reconvened as a group 45 minutes later for an all-too-brief plenary to share the results of the discussions. The ensuing conversation explored some heavy issues that often plague makers and participants in projects that seek to be socially engaged:</div>
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<li style="color: #232323; font-family: Helvetica; font-size: 12px; margin: 0px;">How do we deal with a privilege differential between the creator and the participants, especially when the participants are from a community with a history of oppression and the instigator of the project is from a different one?</li>
<li style="color: #232323; font-family: Helvetica; font-size: 12px; margin: 0px;">How do we listen and engage respectfully with communities when we do not share their histories and experiences?</li>
<li style="color: #232323; font-family: Helvetica; font-size: 12px; margin: 0px;">If we choose to address issues of oppression – violence, exclusion, lack – in our work, are we prepared to deal with disagreement, discomfort, and criticism?</li>
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The situation you place yourself in when doing socially engaged art is a risky one. You may not be able to own or control the end result. It may be utopian. You may not make any money from it. But you can hope to be changed, if you allow yourself to be open to the truly considering your participants as artists, on their own terms, in places that are safe enough for vulnerability and risk to occur. When creating a work <i>with </i>people instead of <i>for </i>them, you open yourself to transformation and to the possibility of learning, of action, and of believing, for a moment, that it could always be like this. </div>
thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-21058071009075965442013-09-02T16:06:00.000-04:002013-09-02T16:06:03.989-04:00Biographie d'artiste - version septembre 2013
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<span lang="FR-CA" style="mso-ansi-language: FR-CA;">Version anglaise à venir... English version forthcoming. </span></div>
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<span lang="FR-CA" style="mso-ansi-language: FR-CA;"><br /></span></div>
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<span lang="FR-CA" style="mso-ansi-language: FR-CA;">Interprète, artiste socialement engagé et
militant de la scène queer montréalaise, <b style="mso-bidi-font-weight: normal;">Jordan
Arseneault</b> est membre cofondateur des collectifs SéroSyndicat et Radical
Queer Semaine (2009 à 2012). Conférencier lors de l'édition inaugurale du
festival VIHsion (Montréal, 2009), et animateur de nombreuses soirées de
performance queer à Montréal, Jordan Arseneault crée des interventions
performatives inspirées de ses préoccupations principales :
l’homosexualité, le genre et les injustices sociales. Il emploie le chant, la
parole, le violoncelle, le drag, l’autodérision, la voix préenregistrée et le
mouvement dans ses pièces, souvent basées dans l’improvisation. Il travaille
présentement sur l'élaboration de son atelier participatif « Fear
Drag » à propos des préoccupations liées au sexe, à la santé et aux
institutions oppressives. Il a conçu l'affiche « SILENCE = SEXE »
avec AIDS ACTION NOW! dans le cadre du projet Poster/Virus 2012 qui a été
exposé à la galerie Roots Division de San Francisco pour leur exposition
« Strange Bedfellows » (juin, 2013). Sous son nom de scène principal,
Peaches Lepage, Jordan a créé une multitude de courtes pièces vocales et
performatives dans le cadre de nombreuses soirées de performance, dont Meow
Mix, le Cabaret Faux Pas et la soirée annuelle STALLE, dont il était
responsable de la programmation de 2009 à 2012 avec sa collaboratrice Laura Boo
MacDonald. Autrement, Jordan collabore de près avec les artistes Stephen Lawson
et Aaron Pollard (2Boys.tv), ainsi qu’avec les artistes multidisciplinaires Jessica
MacCormack et 2fik. <span style="mso-spacerun: yes;"> </span></span><b style="mso-bidi-font-weight: normal;"><u><span lang="FR-CA" style="font-variant: small-caps; mso-ansi-language: FR-CA; mso-bidi-font-size: 12.0pt;"><o:p></o:p></span></u></b></div>
<!--EndFragment-->thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-15049094761531851592013-05-21T00:38:00.000-04:002013-05-21T19:59:37.846-04:00COMMENT FAIRE UNE MANIFESTATION ECLAIR<!--[if gte mso 9]><xml>
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<span lang="FR-CA" style="font-family: Arial; mso-ansi-language: FR-CA;"><b>COMMENT FAIRE UNE MANIFESTATION ECLAIR</b> – Projet VideoQueer video launch<o:p></o:p></span></div>
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<span lang="FR-CA" style="font-family: Arial; mso-ansi-language: FR-CA;">Je figure dans ce vidéo réalisé par le Projet VideoQueer "It Gets Better... Organized"</span></div>
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<span lang="FR-CA" style="font-family: Arial; mso-ansi-language: FR-CA;"><o:p><br /></o:p></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvHV2Fe5AYZAQNdorNRWKSiuNzDOO_QurnoWcvSFb8BuiPazk_sauhxrOHhCAWXzNX5-xj2GT9kvB8LEYoUq8FwD3btzDTc_pDQltSSXiSqSZvuZMBpVaBN7qppUJUq0WVuuw77zO43yw/s1600/Manif_Eclair_7_fev_2012.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvHV2Fe5AYZAQNdorNRWKSiuNzDOO_QurnoWcvSFb8BuiPazk_sauhxrOHhCAWXzNX5-xj2GT9kvB8LEYoUq8FwD3btzDTc_pDQltSSXiSqSZvuZMBpVaBN7qppUJUq0WVuuw77zO43yw/s320/Manif_Eclair_7_fev_2012.jpg" width="320" /></a></div>
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<span lang="FR-CA" style="font-family: Arial; mso-ansi-language: FR-CA;"><a href="https://vimeo.com/66445545" target="_blank">https://vimeo.com/66445545</a><o:p></o:p></span></div>
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<span lang="FR-CA" style="font-family: Arial; mso-ansi-language: FR-CA;">Le vidéo original <a href="https://vimeo.com/66445545" target="_blank">"Comment faire une manifestation éclair"</a> est
un outil web au sujet de comment faire une courte intervention en place publique dans l'optique de la médiatisation et l'efficacité politique. Il est le
premier d'une série produite par <b>Projet 10</b> de concert avec <b>Radical Queer
Semaine</b> 2011-2012, grâce à une subvention du Bureau de lutte contre
l'homophobie (le Ministère de la justice du Québec, 2012). La documentation
originale, filmée entre août et décembre 2012, comprend un atelier facilité par
Jordan Arseneault dans le cadre de la <b>Pervers/cité</b>, ainsi que la manifestation
"Sashes Action" lors du marche-a-ton "ÇA MARCHE" en septembre
2012, et la Vigile du 1er décembre avec le <b>Sérosyndicat</b>. Il incorpore également des extraits de reportages d'actualités et la
documentation indépendante de plusieurs groupes militants LGBTQ.<o:p></o:p></span></div>
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<span lang="FR-CA" style="font-family: Arial; mso-ansi-language: FR-CA;"><a href="https://vimeo.com/66445545" target="_blank">"Comment faire une manifestation éclair"</a> du Projet <b>VideoQueer</b>
est destiné à informer et à stimuler des discussions sur les stratégies de
manifestations militantes paisibles, démocratiques et efficaces qui
revendiquent la cause des personnes lesbiennes, gaies, transgenre et queer. Un
accent particulier est mis sur la stratégie de communication et de présentation
des revendications militantes dans le cadre d'une manifestation de courte durée
ayant pour but la promotion ou le soulignement d'une cause spécifique de la
communauté LGBTQ. <o:p></o:p></span></div>
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<span lang="FR-CA" style="font-family: Arial; mso-ansi-language: FR-CA;">Réalisé par <b>Rémy Huberdeau</b> en collaboration avec <b>Jordan Arseneault</b> et
<b>Bruno Laprade</b> <o:p></o:p></span></div>
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<span lang="FR-CA" style="font-family: Arial; mso-ansi-language: FR-CA;">Montage par Rémy Huberdeau Vidéo et son additionnel par Marianne Ploska,
Daniel Rodriguez et Jadis M. Dumas <o:p></o:p></span></div>
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<span lang="FR-CA" style="font-family: Arial; mso-ansi-language: FR-CA;">Recherche et conceptuallisation du projet VideoQueer "It Gets
Better... Organized" par An Thorne avec Ian Bradley-Perrin, Jordan
Arseneault et Bruno Laprade. (Revision par Billy Hébert) <o:p></o:p></span></div>
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<span lang="FR-CA" style="font-family: Arial; mso-ansi-language: FR-CA;">Nous aimerions remercier tou.te.s les participant.e.s de leur précieuse
collaboration. Traduction et sous-titres vers le français par T&S Coop
Montréal<o:p></o:p></span></div>
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<b><span lang="FR-CA" style="color: windowtext; font-family: Arial; mso-ansi-language: FR-CA; text-decoration: none; text-underline: none;"><a href="http://p10.qc.ca/">p10.qc.ca</a></span></b><span lang="FR-CA" style="font-family: Arial; mso-ansi-language: FR-CA;"><o:p></o:p></span></div>
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<span lang="FR-CA" style="font-family: Arial; mso-ansi-language: FR-CA;">À VENIR: d'autres outils militants vidéo sur </span><a href="http://www.videoqueer.org/"><b><span lang="FR-CA" style="color: windowtext; font-family: Arial; mso-ansi-language: FR-CA; text-decoration: none; text-underline: none;">videoqueer.org</span></b></a><span lang="FR-CA" style="font-family: Arial; mso-ansi-language: FR-CA;"><o:p></o:p></span></div>
<!--EndFragment-->thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-77122384502842242082013-04-03T00:36:00.000-04:002013-04-03T11:12:43.432-04:00Round Table on Socially Engaged Art for IT MATTERS HOW YOU GET HERE (Sat. April 6, 1PM) <br />
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<span class="Apple-style-span" style="font-size: small;">I am excited and honoured to have been invited to speak at this round table event on socially engaged art practice for the Concordia Fine Arts forth year BFA ArtX final project <i><a href="http://itmattershowyougethere.com/" target="_blank">It Matters How You Get Here</a>. </i>I will have the pleasure of sharing this conversation with play-back performance intervention artist <b>Lisa Ndejuru</b>, moderated by my friend and long-time supporter, <b>Jessica MacCormack</b>, and artist <b>Ramona Benveniste</b>. It's free and should be interesting!</span></div>
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<span class="Apple-style-span" style="font-size: small;"><br /></span></div>
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<span class="Apple-style-span" style="font-size: small;"><b>Round Table Conversation on Socially Engaged Art </b></span></div>
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<span class="Apple-style-span" style="font-size: small;"><i>what role can it serve and who is it really for?</i></span></div>
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<span class="Apple-style-span" style="font-size: x-small;">IT MATTERS HOW YOU GET HERE (Sat. April 6, 1PM) </span></div>
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<span class="Apple-style-span" style="font-size: x-small;">@ CRCS St-Zotique, 75 Sir Georges-Étienne-Cartier Square, Montréal. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr0gGqiJK1YakiqFXiUY2KbhS69f7Cdl-9GC1ayjDVXTQFkhjcLc3Tq0SUsMp6-NxgPIUE0Q3QwYUegZibF2pTUs7uGWMTIbYmoaD4TTDzElrz89JxGQZdAzEHYn_xQQExDlUGrLHptko/s1600/round+table+IMHYGH.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjr0gGqiJK1YakiqFXiUY2KbhS69f7Cdl-9GC1ayjDVXTQFkhjcLc3Tq0SUsMp6-NxgPIUE0Q3QwYUegZibF2pTUs7uGWMTIbYmoaD4TTDzElrz89JxGQZdAzEHYn_xQQExDlUGrLHptko/s400/round+table+IMHYGH.jpg" width="400" /></a></div>
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<u><b>event textE EN FRANÇAIS SUIT</b></u></div>
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<u><a href="http://itmattershowyougethere.com/">itmattershowyougethere.com</a></u></div>
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<i>For the last seven months, we have been working as a </i><i>class both collaboratively and individually, on a group </i><i>of projects that explore underlying theoretical concerns </i><i>about the relationships concerning value and </i><i>exchange, social inequality, and the determination of </i><i>identity through popular culture.</i></div>
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<i>The result is an exhibition in Saint Henri entitled,</i></div>
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<i>It matters how you get here , consisting of multiple</i></div>
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<i>site-specific projects located in the pool change</i></div>
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<i>room, the community center, a storefront, online, the</i></div>
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<i>park and the street.</i></div>
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<i>Many of these projects reside in a critique of our current </i><i>social habits and system – and some of these </i><i>projects are structured to respond, producing alternative </i><i>platforms to ‘perform’ society that include meetings, </i><i>workshops, and collaborative compilations. Creating </i><i>socially engaged projects that produce modes</i></div>
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<i>of interacting instead of information, we suggest is</i></div>
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<i>the challenge here.</i></div>
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<i>And so we are exploring what art can do to facilitate</i></div>
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<i>new opportunities for social interaction. And what are</i></div>
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<i>the considerations and concerns that we need to address</i></div>
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<i>when we work alongside communities and in</i></div>
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<i>neighborhoods?</i></div>
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<i>It is in this spirit that we would like to invite you, the</i></div>
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<i>members, coordinators, facilitators and individuals</i></div>
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<i>who live and work within the social fabric of this community.</i></div>
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<i>Your experience and perspective we see as</i></div>
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<i>vital.</i></div>
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<span style="font: 9.0px Helvetica;">In English </span><span style="font: 10.0px Helvetica;">- </span>traduction chuchotée disponible</div>
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<i>Au cours des sept derniers mois, nous avons travaillé</i></div>
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<i>ensemble et individuellement en tant que classe sur</i></div>
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<i>une série de projets explorant les préoccupations théoriques</i></div>
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<i>sous-jacentes des relations relatives aux valeurs</i></div>
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<i>et à l'échange, à l'inégalité sociale, et à l'évolution identitaire</i></div>
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<i>à travers la culture populaire.</i></div>
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<i>Le résultat: une exposition à St-Henri intitulée “Il importe</i></div>
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<i>comment l'on s'y rend”, constituée de plusieurs projets</i></div>
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<i>spécifiques aux endroits suivants: les vestiaires de la</i></div>
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<i>piscine publique, le centre communautaire, une vitrine</i></div>
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<i>de commerce, en ligne, dans le parc et dans les rues.</i></div>
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<i>Plusieurs de ces projets consistent en une critique de</i></div>
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<i>nos habitudes et de notre système social actuel, et quelques</i></div>
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<i>uns d'entres eux sont structurés pour produire des</i></div>
<div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<i>plateformes alternatives pour "performer" la société tels</i></div>
<div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<i>des meetings, des ateliers et des compilations collaboratives.</i></div>
<div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<i>Le défi réside dans la création de projets artistiques</i></div>
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<i>socialement engagés qui produisent des modes</i></div>
<div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<i>d'interaction au lieu de simple information.</i></div>
<div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<i>Ainsi, nous explorons comment l'art peut faciliter de nouvelles</i></div>
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<i>opportunités d'interaction sociale. Quelles sont les</i></div>
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<i>considérations et les préoccupations à avoir lorsque nous</i></div>
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<i>travaillons avec les communauté et les voisinages?</i></div>
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<i>C'est dans cet esprit que nous vous invitons, membres,</i></div>
<div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<i>coordinateurs, modérateurs et individus vivant et travaillant</i></div>
<div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<i>à travers la toile sociale de cette communauté. Nous considérons</i></div>
<div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<i>vos expériences et vos perspectives comme</i></div>
<div style="font: 10.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<i>cruciales.</i></div>
thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-37320163682309344962013-03-24T19:36:00.003-04:002013-03-24T19:36:50.190-04:00"They Built This City" Interview with filmmaker Nadine Gomez (The Horse Palace)I interviewed filmmaker Nadine Gomez for <a href="http://www.nightlife.ca/arts-culture/horse-palace-documentary-tribute-all-griffintown-entertainers-standing-way-big-condo-de" target="_blank">Nightlife.ca</a> about her new documentary feature <i><a href="http://lehorsepalace-film.com/" target="_blank">The Horse Palace</a></i>. <div>
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This assignment was especially meaningful for me since I worked with Nadine over one very wild summer (2002) at a grocery store in Mile End, and along with many people from that time, we are still friends!</div>
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Menial labour / meaningful friends / big ambitions / beautiful conversations!<br /><div>
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thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-24970387314741469322013-03-19T17:10:00.000-04:002013-03-19T17:10:05.386-04:00Bible Belt Prevention: DiAna DiAna<div class="separator" style="clear: both; text-align: center;">
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Calibri; mso-bidi-font-family: "Times New Roman";">Concordia’s
HIV/AIDS 20<sup>th</sup> Anniversary Lecturer talks Curlers and Condoms </span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: Calibri; mso-bidi-font-family: "Times New Roman";"><a href="https://www.facebook.com/events/141801332655728/" target="_blank">March 21, 7pm at H110</a><o:p></o:p></span></b></div>
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<span style="font-family: Calibri; mso-bidi-font-family: "Times New Roman";">There have been many illustrious and influential figures who
have brought their stories and work to Concordia’s H110 auditorium for the
Lecture Series on HIV and AIDS since its inception in 1993. Singer Diamanda
Galas, dance legend Margie Gillis, General Idea surviving member AA Bronson,
AIDS hero Steven Lewis, activist writer Sarah Schulman, South African
documentarian Khalo Matabane, and recently, adult film actress Lara Roxx, to
name only a few that come to mind. Fittingly, the <a href="http://aids.concordia.ca/lectures.html" target="_blank">Lecture Series</a> team has
chosen to invite a figure who was active at the height of the AIDS crisis for
their 20<sup>th</sup> anniversary lecture, and have gone somewhat far afield of
the global AIDS celebrity and NGO milieu to bring us a fierce grass roots
activist who started the radical, up-hill task of doing HIV prevention in 1980s
Columbia, South Carolina. Meet DiAna DiAna, the hairdresser who knew too much.<o:p></o:p></span></div>
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<span style="font-family: Calibri; mso-bidi-font-family: "Times New Roman";">“It
was in 1986 that I became aware of HIV and AIDS,” DiAna tells me over the phone
as she prepares for a day of cutting, styling, listening and teaching at her
salon in a primary black neighbourhood of Columbia. “I just saw [AIDS] on the
front of a magazine. Nobody wanted to talk about it because it was all sexual
and needles and <i style="mso-bidi-font-style: normal;">of course</i> nobody in
South Carolina does any of those things,” she tells me, her beautiful Bostonian
accent still intact after decades of living and working south of Dixie. In 1991,
DiAna’s then-unorthodox methods for talking about sex and condoms were
documented in the short film <i style="mso-bidi-font-style: normal;">DiAna’s Hair
Ego</i>, which will also be screened on Thursday.<i style="mso-bidi-font-style: normal;"> </i>Today, Columbia has the forth-highest rate of HIV infection per
capita in the United States, she says, and according to one Centre for Disease
Control study, HIV infection is the leading cause of death for black women aged
25 to 34, the same age of many of the women who visit DiAna’s salon. Black
heterosexual women remain one of the populations most affected by HIV in the
US, disproportionately so.<o:p></o:p></span></div>
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<span style="font-family: Calibri; mso-bidi-font-family: "Times New Roman";">The
magazine DiAna read that day, perhaps <i style="mso-bidi-font-style: normal;">Cosmopolitan
</i>or <i style="mso-bidi-font-style: normal;">Marie Claire</i> or one of the
more liberal magazines of the period, had a cover headline about a woman who
had contracted HIV from her boyfriend, and she got thinking about how this
could and would affect her community. “Both of them were ‘straight’ she yet she
still got infected. I started to get curious because it was something that
nobody really knew about... So I got the information, and people started
sharing the articles that I was getting. It snowballed from there, and I
eventually started doing presentations and going into churches where they
didn’t want to talk about sex or AIDS or anything, especially in the Bible
Belt. They were quite shocked that I was able to talk about HIV and AIDS,” she
tells me with the fluid verbal arc of someone who has talked about her activist
beginnings many times, with concentration and generosity. <o:p></o:p></span></div>
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<span style="font-family: Calibri; mso-bidi-font-family: "Times New Roman";">“I
had to figure out a way for people to start using condoms. So I started
wrapping them up in wrapping paper so that clients would start taking them
home. You didn’t have to be a client, you could just come and get condoms and
information and see videos on HIV and AIDS,” she says with a smile her voice.
She knew she was onto something: she had found a way past the sexual shame that
prevented women from asking their male partners to use condoms, and eventually
men would come into the salon and elaborately ask for condoms for their
“friend,” or more sadly, to demand that DiAna stop giving out condoms to girls
who would ask for them. She went on to found the South Carolina AIDS Education
Network (SCAEN), which then spun off into the <a href="http://www.schivaidscouncil.org/" target="_blank">South Carolina HIV/AIDS Council</a>,
a drastically underfunded charity run by her friend and one-time trainee Bambi
Gaddist </span><span style="font-family: Calibri;">“I asked her ‘Do you wanna be
the VP of a company that pays nothing?’ And she said yes,” DiAna laughs warmly
as she recalls inviting her BFF to helm the organization that started in a
salon and went on to do workshops in schools, and safer sex outreach with sex
workers and with men in cruising parks. She would do HIV saliva tests in her salon,
but found that people were reluctant, as they still are, to come in for their
results.<o:p></o:p></span></div>
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<span style="font-family: Calibri;">“I gave the whole thing
[until] 2000: by then everybody should be cured and we should know what AIDS is,
right? It was very difficult to deal with agencies that didn’t want to give any
money. Some of the politicians didn’t want to talk about AIDS at all because it
would be bad for their election, and they gave no support,” she tells me with
more than a hint of despair. Many of the men who opposed her grass-roots
prevention methods are still in power in the heavily Republican state, and
continue to defund and oppose her and Gaddist’s efforts to provide prevention
at the grass-roots level. In the years since DiAna has stopped working on the
front lines of radical sex ed in Columbia, South Carolina’s bureaucrats have
shown even less support for initiatives that she and her peers have begun, even
though grass-roots prevention and peer support has proven to be more effective
than top-down methods. <span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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<span style="font-family: Calibri;">“I’ve had clients come in
and ask me ‘Is the AIDS thing still going around?’” she laments. The lessons
DiAna learned go deep. The effects of misogyny, homophobia, religious
conservatism and bureaucratic public health policies lead to only one thing:
more illness, less knowledge, and a crisis that may never end unless we stop it
ourselves. <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="color: #262626; font-family: Calibri; mso-bidi-font-family: "Lucida Grande";">DiAna
DiAna "Curlers & Condoms: Grassroots Prevention Then and Now"<o:p></o:p></span></b></div>
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<span style="color: #262626; font-family: Calibri; mso-bidi-font-family: "Lucida Grande";">Thursday March 21, 7 p.m. // Room H-110 of the Henry F. Hall
Building, 1455 de Maisonneuve Ouest. FREE, followed by reception with DiAna
DiAna and former guests of the Lecture Series<o:p></o:p></span></div>
<!--EndFragment-->thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-12122948900531058052013-01-30T14:50:00.002-05:002013-02-06T06:07:48.468-05:00Interview with Ange Loft from YT//ST on #IdleNoMore<span class="Apple-style-span" style="font-family: 'PT Sans', Arial, sans-serif; font-size: 11px; line-height: 19px;"><span style="-webkit-transition-delay: initial; -webkit-transition-duration: 0.1s; -webkit-transition-property: color; -webkit-transition-timing-function: ease; line-height: 16px;"><b>Ange Loft</b> is an artist and member of Canadian No-Wave band <a href="https://www.facebook.com/pages/YAMANTAKA-SONIC-TITAN/252814960311" style="-webkit-transition-delay: initial; -webkit-transition-duration: 0.1s; -webkit-transition-property: color; -webkit-transition-timing-function: ease; color: #00ccff; line-height: 16px; text-decoration: none;" target="_blank">Yamantaka//SonicTitan</a>. She hails from Kahnawake Nation outside of Montréal and is the instigator of the </span><span style="-webkit-transition-delay: initial; -webkit-transition-duration: 0.1s; -webkit-transition-property: color; -webkit-transition-timing-function: ease; line-height: 16px;"><strong style="-webkit-transition-delay: initial; -webkit-transition-duration: 0.1s; -webkit-transition-property: color; -webkit-transition-timing-function: ease; line-height: 16px;"><span style="-webkit-transition-delay: initial; -webkit-transition-duration: 0.1s; -webkit-transition-property: color; -webkit-transition-timing-function: ease; line-height: 16px;"><a href="https://www.facebook.com/notes/ange-loft/documentary-performance-project-on-idle-no-more/10151407033101948" target="_blank">Idle No More Documentary Performance Project</a></span></strong>, <span style="-webkit-transition-delay: initial; -webkit-transition-duration: 0.1s; -webkit-transition-property: color; -webkit-transition-timing-function: ease; line-height: 16px;">an oral digital archive about the movement which she sees as intricately catalyzed by working mothers, older women, and youth involved in the struggle for First Nations justice. <strong style="-webkit-transition-delay: initial; -webkit-transition-duration: 0.1s; -webkit-transition-property: color; -webkit-transition-timing-function: ease; line-height: 16px;">I </strong> reached her via telephone at her home in Toronto on Jan 21 to talk about what she calls the “</span></span><span style="-webkit-transition-delay: initial; -webkit-transition-duration: 0.1s; -webkit-transition-property: color; -webkit-transition-timing-function: ease; line-height: 16px;">vibration behind this movement” and how youth, women, and knowledge-sharing are central to its power and expression. </span></span><br />
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<span class="Apple-style-span" style="font-family: 'PT Sans', Arial, sans-serif; font-size: 11px; line-height: 19px;"><em style="-webkit-transition-delay: initial; -webkit-transition-duration: 0.1s; -webkit-transition-property: color; -webkit-transition-timing-function: ease; font-style: italic; line-height: 16px;"><br /></em></span></div>
<div>
<span class="Apple-style-span" style="font-family: 'PT Sans', Arial, sans-serif; font-size: 11px; line-height: 19px;"><span style="-webkit-transition-delay: initial; -webkit-transition-duration: 0.1s; -webkit-transition-property: color; -webkit-transition-timing-function: ease; line-height: 16px;"><a href="http://archives.ckut.ca/64/20130130.08.00-09.00.mp3">http://archives.ckut.ca/64/20130130.08.00-09.00.mp3</a></span></span></div>
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<span class="Apple-style-span" style="font-family: 'PT Sans', Arial, sans-serif; font-size: 11px; line-height: 19px;"><br /></span></div>
<div>
<span class="Apple-style-span" style="font-family: 'PT Sans', Arial, sans-serif; font-size: 11px; line-height: 19px;">The 26-minute interview (Starting at 12min, edited from a 48-minute original) aired today (Jan 30, 2013) on <a href="http://ckut.ca/c/en/node/271" style="-webkit-transition-delay: initial; -webkit-transition-duration: 0.1s; -webkit-transition-property: color; -webkit-transition-timing-function: ease; color: #00ccff; line-height: 16px; text-decoration: none;" target="_blank" title="CKUT">CKUT’s Wednesday Morning After</a>. Special thanks to Courtney and Marc from CKUT for production assistance.</span></div>
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thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-6276230549073158722012-12-21T15:23:00.000-05:002012-12-22T13:01:31.415-05:00FUCK THE CATHOLIC CHURCH<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUd0tl7zlw1FW6NB04FAkdY9Nel2QC_mVEzLWlhLqLr7MsESJ4c8UVL6g_K3jnRwgwKehUI8_t4_8QGNOul24KG8u4wG2iwpF0k2VXjvzhVEsN7iLkbGBx2eU7nfe9KA7paYIvFwiy__o/s1600/Gay+Porn+rim+job+GIF.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="215" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUd0tl7zlw1FW6NB04FAkdY9Nel2QC_mVEzLWlhLqLr7MsESJ4c8UVL6g_K3jnRwgwKehUI8_t4_8QGNOul24KG8u4wG2iwpF0k2VXjvzhVEsN7iLkbGBx2eU7nfe9KA7paYIvFwiy__o/s400/Gay+Porn+rim+job+GIF.gif" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Image via gandystuff.tumblr.com</td></tr>
</tbody></table>
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<span style="font-family: Helvetica, sans-serif;"><b>"Pope's
Christmas present to gays: you're (still) a threat to human nature"</b></span></div>
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<br /></div>
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<span style="font-family: Helvetica, sans-serif;">by Jordan
Arseneault (originally published on<a href="http://www.2bmag.com/2012/12/popes-christmas-present-to-gays-youre-still-a-threat-to-human-nature-9856" target="_blank"> 2Bmag.com</a>)</span></div>
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<span style="font-family: Helvetica, sans-serif;">In
his December 21<sup>st</sup> <a href="http://www.vatican.va/holy_father/benedict_xvi/speeches/2012/december/documents/hf_ben-xvi_spe_20121221_auguri-curia_en.html" target="_blank">message to cardinals and the upper bureaucracy of the Catholic church</a>, Karl Ratzinger, aka Pope Benedict
XVI, claims that gay marriage is part of an attempt to “manipulate”
human nature, and that modern gender theory is all wrong. Merry
Christmas from the Vatican!</span></div>
<div style="margin-bottom: 0cm;">
<br /></div>
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<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;">Karl
Ratzinger, aka Pope Benedict XVI, the head of the most corrupt and
homophobic organization on the planet, said in his speech to church
officials at the Vatican today that the institution of the family is
in the midst of a “crisis that threatens it to its foundations –
especially in the western world.” Like a well-trained logician in
the tradition of Thomas Aquinas, Ratziger outlines a series of
propositions which attempt to invalidate the rights of same sex
couples to marry, a constant thorn in the side of his organization,
which relies on heterosexual family structures to maintain the
teachings of its misogynist and homophobic system of thought and
domination. </span></span></span>
</div>
<div style="margin-bottom: 0cm;">
<br /></div>
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<span style="color: black;">“<span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;">The
family [is] the authentic setting in which to hand on the blueprint
of human existence. This is something we learn by living it with
others and suffering it with others. So it became clear that the
question of the family is not just about a particular social
construct, but about man himself – about what he is and what it
takes to be authentically human,” Ratizinger told the cardinals and
other unmarried priests in the chapel known as the Clementine Hall.
The irony that, in preventing same-sex couples from forming legally
recognized families, his church is actually fighting the creation of
families, was obviously lost on him.</span></span></span></div>
<div style="margin-bottom: 0cm;">
<br /></div>
<div style="margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;">He
goes on to say that gay marriage is a threat to the notion of
“commitment,” echoing the widespread prejudice that gay
relationships are not as lasting or “real” as straight ones :
“First of all there is the question of the human capacity to make a
commitment or to avoid commitment. Can one bind oneself for a
lifetime? Does this correspond to man’s nature? Does it not
contradict his freedom and the scope of his self-realization? Does
man become himself by living for himself alone and only entering into
relationships with others when he can break them off again at any
time? Is lifelong commitment antithetical to freedom? Is commitment
also worth suffering for? Man’s refusal to make any commitment –
which is becoming increasingly widespread as a result of a false
understanding of freedom and self-realization as well as the desire
to escape suffering – means that man remains closed in on himself
and keeps his <i>'</i><i>I</i><i>'
</i>ultimately for himself, without really rising above it.”
Riiiiight. So the desire of LGBT people to form lasting relationships
somehow contradicts and undermines God's plan for humans to engage in
lasting relationships. Fascinating!</span></span></span></div>
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<br /></div>
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<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;">Then
comes the big whammy: gays are contributing to the loss of “essential
elements of the human experience.” </span></span></span>
</div>
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<br /></div>
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<span style="color: black;">“<span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;">[O]nly
in self-giving does man find himself, and only by <b>opening himself
to the other</b>, to others, to children, to the family, only by
<b>letting himself be changed through suffering</b>, does he discover
the breadth of his humanity. When such commitment is repudiated, the
key figures of human existence likewise vanish: father, mother,
child...” Sounds like Karl wants us all to be bottoms, but doesn't
want us to ever find a top!</span></span></span></div>
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<div style="margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;">With
the marked rise in support for same-sex marriage in France, Mr. Pope
made a predictable shout-out to the French community, notably by
quoting renowned feminist philosopher Simone de Beauvoir. Ratzinger begins by discounting: “one is not born a woman, one becomes so” (</span></span></span><span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;"><i>on
ne naît pas femme, on le devient</i></span></span></span><span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;"><span style="font-style: normal;">),”
quoting the famed existential writer of </span></span></span></span><span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;"><i>Le
Deuxième sexe, </i></span></span></span><span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;"><span style="font-style: normal;">before
offering us a primer on contemporary gender theory. </span></span></span></span>
</div>
<div style="margin-bottom: 0cm;">
<br /></div>
<div style="margin-bottom: 0cm;">
<span style="color: black;">“<span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;"><span style="font-style: normal;">These
words lay the foundation for what is put forward today under the term
'gender' as a new philosophy of sexuality. According to this
philosophy, sex is no longer a given element of nature, that man has
to accept and personally make sense of: it is a social role that we
choose for ourselves, while in the past it was chosen for us by
society. The </span></span></span></span><span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;"><span style="font-style: normal;"><b>profound
falsehood</b></span></span></span></span><span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;"><span style="font-style: normal;">
of this theory and of the anthropological revolution contained within
it is obvious.” Clear as day. What exactly would compel us to
believe anything that he has to say about gender and sexuality, when
his business still </span></span></span></span><span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;"><span style="font-style: normal;"><b>bans
women</b></span></span></span></span><span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">
from occupying positions of priesthood, the basic middle management
position required to occupy the upper echelons of his multinational
corporation?</span></span></span></span></span></div>
<div style="margin-bottom: 0cm;">
<br /></div>
<div style="margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;"><span style="font-style: normal;">Then
comes the kicker: “When the freedom to be creative becomes the
freedom to create oneself, then necessarily the Maker himself is
denied and ultimately man too is stripped of his dignity as a
creature of God, as the image of God at the core of his being. The
defence of the family is about man himself. And it becomes clear that
when God is denied, human dignity also disappears. Whoever defends
God is defending man.” Yep. All of those people who have killed and
raped and pillaged in the name of “God,” they were “defending
man,” while the simple and demographically marginal fact of men
wanting to marry men, women wanting to marry women, and of
transgender people </span></span></span></span><span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;"><i>even
existing</i></span></span></span><span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;"><span style="font-style: normal;">
is the real threat to human nature and civilization? </span></span></span></span>
</div>
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<br /></div>
<div style="margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: small;"><span style="font-style: normal;">Thanks,
Karl. It's all clear to me now. You really do hate us. The official
theological highest authority of half of the world's Christians has
officially singled out gays, lesbians, and transgender people who
support same-sex marriage and embrace the fluidity of gender are a
threat to the human race. Let there be no mistaking who is the real
threat here: the Catholic church has and will always have the upper
hand on destroying and violating the human. The hierarchical,
heterosexist, hypcritical ideas that Ratzinger expounds barely mask a
message of hate and exclusion towards the LGBTQ people of the world
that feeds into laws like Uganda's “Kill the Gays” bill, and all
of the violence and exclusion that gay people face and will continue
to face the world over. This Christmas, if you celebrate it, remember
who loves you, and remember who doesn't. The world is apparently
worse off with us in it. Happy holidays from the Vatican!</span></span></span></span></div>
thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com2tag:blogger.com,1999:blog-8116710499655841593.post-10649176018100035892012-12-19T18:09:00.000-05:002012-12-21T15:24:20.913-05:00A Rosary for the Holy Innocents of Newtown<div class="separator" style="clear: both; text-align: center;">
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<div style="color: #222222; font: 16.0px Times; margin: 0.0px 0.0px 0.0px 0.0px;">
<b>A Rosary for the Holy Innocents of Newtown, Connecticut: A Liturgay for Peace</b></div>
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<b></b><br /></div>
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<i>Make a sign of faith or meditative readiness.</i></div>
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<br /></div>
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<i> Prayer Refrain:</i></div>
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O Goddess make speed to save us, O Creation make haste to help us.</div>
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<br /></div>
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<i>First Meditation:</i></div>
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A voice was heard in Newtown,</div>
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sobbing and loud lamentation;</div>
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America weeping for her children,</div>
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and she would not be consoled,</div>
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since they were no more.</div>
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<br /></div>
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<i> Prayer Refrain</i></div>
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<br /></div>
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<i>Second Meditation:</i></div>
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May all evil sleep,</div>
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May all good awake.</div>
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May bright wisdom prevail,</div>
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May deep peace dwell in our hearts.</div>
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<br /></div>
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<i>Prayer Refrain</i></div>
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<br /></div>
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<i>Third Meditation:</i></div>
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From division, keep us</div>
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From hatred, shield us</div>
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From scorn, relieve us</div>
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From vengeance, turn us.</div>
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<br /></div>
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<i>Prayer Refrain</i></div>
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<br /></div>
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<i>Fourth Meditation:</i></div>
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May hard choices be made</div>
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May the greater good be known</div>
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May peace be our rock</div>
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May loving-kindness, healing and Justice be among us.</div>
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<i> </i></div>
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<i> Prayer Refrain</i></div>
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<i></i><br /></div>
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xoxo,</div>
<div style="color: #222222; font: 16.0px Times; margin: 0.0px 0.0px 0.0px 0.0px;">
<i>N. Sr. Aloysius Hardon</i></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe2e2TrGHc0mEnsZk4KCRfI3VdcRkHTcjund14KK7DWeWWN2pEoHas9TNJKUo6uWl2nV0HZ0jIw59QU9_41m7HCRFwog-HQJNIS0MlgR1uzalHk6lfpxL6FRx00komu-BEUprHrjdbC5w/s1600/Sister+Aloysius+Hardon+veiling+Dec+2012.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="311" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe2e2TrGHc0mEnsZk4KCRfI3VdcRkHTcjund14KK7DWeWWN2pEoHas9TNJKUo6uWl2nV0HZ0jIw59QU9_41m7HCRFwog-HQJNIS0MlgR1uzalHk6lfpxL6FRx00komu-BEUprHrjdbC5w/s320/Sister+Aloysius+Hardon+veiling+Dec+2012.jpg" width="320" /></a></div>
Sister Aloysius Hardon of the Montréal Sisters of Perpetual Indulgencethedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com1tag:blogger.com,1999:blog-8116710499655841593.post-82250316360922560972012-11-27T12:58:00.000-05:002012-11-27T15:43:06.858-05:00SILENCE = SEXE "La nouvelle équation"<span class="Apple-style-span" style="font-family: Helvetica; font-size: 12px;">Poème destiné pour la lecture à voix haute, en lien avec l'affiche </span><span class="Apple-style-span" style="font-family: Helvetica; font-size: 12px;"><a href="http://postervirus.tumblr.com/post/35974339994/silence-sexe-par-jordan-arseneault-la" target="_blank">SILENCE = SEXE</a></span><span class="Apple-style-span" style="font-family: Helvetica; font-size: 12px;">, créée et imprimée en collaboration avec </span><span class="Apple-style-span" style="font-family: Helvetica; font-size: 12px;"><a href="http://postervirus.tumblr.com/post/35974194219/silence-sex-the-new-equation-by-jordan" target="_blank">AIDS ACTION NOW</a></span><span class="Apple-style-span" style="font-family: Helvetica; font-size: 12px;"> (2012). </span><br />
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<br /></div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
"La nouvelle équation"</div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
par Jordan Arseneault</div>
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<br /></div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<div lang="fr-FR" style="line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">C'est
ce moment embarrassant quand...</span></span></span></div>
<div lang="fr-FR" style="line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Tu
te retrouves nu au lit avec le gars que tu as frenché sur un toit</span></span></span></div>
<div lang="fr-FR" style="line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">En
regardant la croix, toute petite comme un jouet,</span></span></span></div>
<div lang="fr-FR" style="line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Au
sommet de la montagne si sombre</span></span></span></div>
<div lang="fr-FR" style="line-height: 0.46cm; margin-bottom: 0cm;">
<br /></div>
<div lang="fr-FR" style="line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Ce
moment embarrassant quand tu fais entrer en scène le choeur d'une
tragédie grecque</span></span></span></div>
<span class="Apple-style-span" style="font-family: Helvetica, sans-serif; font-size: x-small; line-height: 17px;">Formé
des personnages d’</span><i><a href="http://fr.wikipedia.org/wiki/Angels_in_America" target="_blank">Angels in America</a></i></div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Et
le camion-vidanges plein de cadavres et</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Des
fragments de nouvelles à la télé de manifestations où on lance
des cendres</span></span></span></div>
<span class="Apple-style-span" style="font-family: Helvetica, sans-serif; font-size: x-small; line-height: 17px;">Et
Diamanda Galas qui hurle par-dessus</span> <a href="http://www.hideseek.org/versions/" target="_blank">"Fire in My Belly"</a></div>
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<br /></div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<br />
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Ce
moment embarrassant quand tu te décides à cracher le morceau</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">À
arracher le pansement d'une plaie toujours ouverte</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Et
tu lui dis :</span></span></span></div>
</div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px; min-height: 14.0px;">
<br /></div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<br />
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Il
faut que je te dise quelque chose qui n'est vraiment pas facile à
dire et</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Je
suis légalement obligé de le faire avant qu'il se passe quoi que ce
soit d'autre</span></span></span></div>
</div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px; min-height: 14.0px;">
<br /></div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<br />
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Je
suis sur la liste des finalistes d'un prix spécial</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Les
finalistes qui n'ont pas gagné le pari</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Je
suis biopolitiquement condamné à toute une vie de moments
d'embarras</span></span></span></div>
</div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px; min-height: 14.0px;">
<br /></div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<br />
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Il
y a en moi 50 parts par millilitre</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Qui
trouvent ça Vraiment Intense, mon Homme</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Qui
sont arrivés trop tard pour un vaccin.</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Qui
n'ont pas fait leurs devoirs</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Qui
font écho à une Voix Intérieure Hardie</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Qui
crie : « Approche-toi pas! »</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Même
si n’importe quelle autre combinaison de corps</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Seraient
en train de s'envoyer en l'air</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">En
ce même moment </span></span></span></div>
</div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px; min-height: 14.0px;">
<br /></div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">C'est
ce moment embarrassant quand tu lèves les yeux et tu vois l'affiche</span></span></span></div>
<span class="Apple-style-span" style="font-family: Helvetica, sans-serif; font-size: x-small; line-height: 17px;">Qui
dit SILENCE = MORT</span>(<i><a href="http://visualaids.blogspot.ca/search?q=silence+%3D+death" target="_blank">SILENCE = DEATH</a></i>)</div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<br />
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Sur
le mur de sa chambre en bordel</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Et
que tu dis les mots</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">JE
SUIS SÉROPOSITIF</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Et
là tu le vois se figer, perdre son érection, soupirer</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Et
essayer de t'expliquer fébrilement qu'il a un trouble d'anxiété</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Et
qu'il ne peut « juste pas dealer avec ça maintenant ».</span></span></span></div>
</div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px; min-height: 14.0px;">
<br /></div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<br />
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">C'est
ce moment embarrassant quand tu veux arracher l'affiche hypocrite</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">de
son mur</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Ou
du moins la moitié</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">SILENCE
= ccrrrrsssh boulette boulette</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">SILENCE
=</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">SILENCE
= SEXE</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Toutes
ces affiches, c'est ÇA qu'elles me disent, maintenant :</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Silence
égale sexe.</span></span></span></div>
</div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px; min-height: 14.0px;">
<br /></div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<br />
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Si
tu pouvais juste fermer ta gueule</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Et
ne pas parler de cellules et de réplication et d'indétectabilité</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Et
de petites coupures et de micro-lésions dans les membranes</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Et
de rincer avec du jus de citron</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Et
des tests à tous les trois mois</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Et
de comment tu l'as attrapé, anyway...</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">"Ah
ouais", tu demandes, "t’as aussi été dans une campagne
contre la sérophobie?"</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Et
de rajouter "Oui oui, je suis sûr que t’es très ouvert
d'esprit.</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Merci
de m'en avoir fait une si belle démonstration."</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">En
te rhabillant.</span></span></span></div>
</div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px; min-height: 14.0px;">
<br /></div>
<div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;">
<br />
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">SILENCE
= SEXE</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Habituez-vous
à cette nouvelle formule</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;">Parce
que ces trous d'cul ne comprennent vraiment pas l'équation.</span></span></span></div>
<div lang="fr-FR" style="font-style: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<br /></div>
<div lang="fr-FR" style="line-height: 0.46cm; margin-bottom: 0cm;">
<span style="font-family: Helvetica, sans-serif;"><span style="font-size: x-small;"><span style="color: black;"><i>Traduction
de l'anglais en collaboration avec </i></span><span style="color: #222222;"><i>Anaïs
Bertrand-Dansereau et Elie Darling</i></span></span></span></div>
</div>
<div style="color: #222222; font: 13.0px Arial; margin: 0.0px 0.0px 0.0px 0.0px;">
<br /></div>
<br />
Pièce écrite pour voix haute originalement publiée en anglais par <a href="http://visualaids.blogspot.ca/2012/07/normal-0-false-false-false-en-us-ja-x.html" target="_blank">VisualAIDS</a>, suite à une lecture à voix haute lors de la "Drop Dead AIDS Literary Salon" de la <a href="http://www.centreforreach.ca:82/uww_public/Pages/UWWNewsDetail.aspx?UniqueID=13" target="_blank">Universities Without Walls</a> (au mois d'avril, 2012, à Montréal).<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4-DHAGSGc-f8bCQ8nFc0VgLADbJkdn0m5F6UlvYSGSFSb_W-0lcRx44Rqn5f5_xehdPNC63AhD9pH25gwsnWWqCHevutVuw107hHLXdqbG-SsqdHz-b1-MPQA3H2gXgzuEGzb30HRHl8/s1600/silence+egale+sexe+j+arseneault.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4-DHAGSGc-f8bCQ8nFc0VgLADbJkdn0m5F6UlvYSGSFSb_W-0lcRx44Rqn5f5_xehdPNC63AhD9pH25gwsnWWqCHevutVuw107hHLXdqbG-SsqdHz-b1-MPQA3H2gXgzuEGzb30HRHl8/s640/silence+egale+sexe+j+arseneault.jpg" width="415" /></a></div>
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<br />thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-3439452017526433452012-11-25T22:13:00.000-05:002012-11-25T22:13:40.518-05:00SéroSyndicat / Blood Union @ the VAV Dec 1<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAGLEzhdDaUQlMkDNhlO1ItMLE-FRNB6VUZmpK3AhZ2Sj6BEokZGZOVH-PpMiZYqRSG2tzQA88G1aBdUPrd7mSvsijjGlhzt5T8HowpTH81xJXNYMYBDIOhChM3Vekx6p2FacRwiuTSsQ/s1600/World+AIDS+Day+at+the+VAV+SeroSyndicat+Jess+Mac.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAGLEzhdDaUQlMkDNhlO1ItMLE-FRNB6VUZmpK3AhZ2Sj6BEokZGZOVH-PpMiZYqRSG2tzQA88G1aBdUPrd7mSvsijjGlhzt5T8HowpTH81xJXNYMYBDIOhChM3Vekx6p2FacRwiuTSsQ/s640/World+AIDS+Day+at+the+VAV+SeroSyndicat+Jess+Mac.jpg" width="406" /></a></div>
<br />thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-31230488895020195362012-11-21T12:31:00.002-05:002012-11-21T12:50:44.282-05:00SéroSyndicat @ VAV Gallery Dec 1 World AIDS Day<br />
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<b>Action/discussion/perfo/<wbr></wbr>bricolage animé par le SéroSyndicat pour la Journée mondiale du sida </b></div>
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(avec/with AIDS ACTION NOW!)</div>
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<b>Discussion/action/performance/<wbr></wbr>crafting for World AIDS Day with SéroSyndicat / Blood Union </b></div>
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<b><br /></b></div>
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<b>samedi 1ier décembre, 2012 : 16 à 18h30 au </b><b>1395 René-Lévesque Ouest</b></div>
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<b>Saturday, Dec 1, 2012, 4pm-6:30pm at the VAV Gallery (1395 René-Lévesque Ouest) </b></div>
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<b><br /></b></div>
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En collaboration avec le collectif de partenariat queer (QP Collective) de Concordia (Erin Silver) et AIDS ACTION NOW!, le SéroSyndicat vous invite à une discussion animée, intervention performative et atelier de création de bannières (pancartes et écharpes) qui sera GRATUIT et ouvert au public pour l'occasion de la Journée mondial du sida. </div>
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Alex McClelland, Jessica MacCormack et Jordan Arseneault présenteront le projet d'affiches <a href="http://postervirus.tumblr.com/" target="_blank">poster/VIRUS 2012 </a>de AIDS ACTION NOW, en ouvrant la discussion sur les actions politiques et artistiques contre la stigmatisation et la criminalisation des personnes porteuses du VIH. Nous sommes également heureux d'accueillir l'artiste <b>Sarah Mangle</b> (Toronto) qui performera la pièce "Deathlist". Des membres du SéroSyndicat faciliteront la discussion et création de de bannières (pancartes et écharpes) que nous porterons lors de la vigile de la Journée mondiale du sida, qui aura lieu au Parc de l'Espoir (coin Panet et Ste Catherine) par la suite (heure exacte à confirmer).</div>
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<span style="color: #0d14e7;"><span style="text-decoration: underline;"><a href="http://contrecriminalisationvih.blogspot.ca/" style="color: #1155cc;" target="_blank">http://<wbr></wbr>contrecriminalisationvih.<wbr></wbr>blogspot.ca/</a></span><span style="color: black;"> </span></span></div>
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In collaboration with Queer Partnership Collective (Erin Silver, Concordia <a href="http://www.facebook.com/events/453351414702001/" style="color: #1155cc;" target="_blank"><span style="color: #0d14e7; text-decoration: underline;">http://www.facebook.<wbr></wbr>com/events/453351414702001/</span></a>) and AIDS ACTION NOW! the SeroSyndicat will host a participative presentation, workshop, and sashes/sign/banner crafting intervention that is free and open to the public. </div>
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Alex McClelland (AIDS ACTION NOW!) will present the <a href="http://postervirus.tumblr.com/" target="_blank">poster/VIRUS project</a>, followed by presentations from Jessica MacCormack and Jordan Arseneault about their posters for the 2012 series. We are also happy to have artist Sarah Mangle to present her spoken piece "Deathlist" as part of the interactive programme. Members of the SeroSyndicat will facilitate a discussion for the creation of hand-made fabric sashes, placards, and/or banners to transmit messages that address HIV stigma and criminalization, which will then be worn by the group to the annual World AIDS Day vigil at the Parc de l'Espoir (Ste-Catherine Est), exact time TBC.</div>
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<span style="text-decoration: underline;"><a href="http://contrecriminalisationvih.blogspot.ca/" style="color: #1155cc;" target="_blank">http://<wbr></wbr>contrecriminalisationvih.<wbr></wbr>blogspot.ca/</a></span><span style="color: black;"> </span></div>
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<span style="color: black;">Interview on CKUT 21 Nov 2012 starts at 16min29: <a href="http://archives.ckut.ca/128/20121121.08.00-09.00.mp3">http://archives.ckut.ca/128/20121121.08.00-09.00.mp3</a></span></div>
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thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-86652490364539419662012-11-07T01:25:00.001-05:002012-12-22T13:00:20.165-05:00YES WE WERK / YES WE CUNT<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd8nVvq4xSpS5UNaNTxbtljAIDGQ8yGxCYKloiVQYNG4ZZq_tc9-qdGP4wpFZkkJVhm03Ahz496kcAuPbnH9hJkCJl4D1Q-qhyphenhyphenCRhc3N0hdB8A6W9QTpW_TA4oJkCQLSXoOOYFV0KeXls/s1600/tumblr_md3a5fiKhI1qc1lzbo1_500.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="206" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd8nVvq4xSpS5UNaNTxbtljAIDGQ8yGxCYKloiVQYNG4ZZq_tc9-qdGP4wpFZkkJVhm03Ahz496kcAuPbnH9hJkCJl4D1Q-qhyphenhyphenCRhc3N0hdB8A6W9QTpW_TA4oJkCQLSXoOOYFV0KeXls/s400/tumblr_md3a5fiKhI1qc1lzbo1_500.gif" width="400" /></a></div>
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Cuntdragulations, America(s), this is a good day, and we will sleep better tonight.</div>
<br />thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-1239831825515042712012-09-16T12:36:00.000-04:002012-09-16T12:36:46.833-04:00Art/community bio!
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In the context of Concordia University's ARTH 398S, here's a rough outline of my artist (lol) bio:</div>
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<b>BIO</b></div>
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<span lang="en-US">J</span>ordan
Arseneault is active in Montréal’s non-commercial independent
queer performance scene. Co-producing Radical Queer Semaine’s
STALLE performance revue in March 2010-2012, and the much-acclaimed
Cabaret Faux Pas at Café Cleopatra for Pervers/cité in August 2010
with Laura Boo MacDonald, Jordan has been actively performing in the
domestic Cabaret Faux Pas since 2009 with “Resist Conscription,”
a piece which was later performed in Cambridge, Mass. at Aliza
Shapiro’s Traniwreck (truthserum productions). He was invited to
present his piece “First World Problems” in a curated show for
Studio 303’s Cabaret SPARK, and has hosted and programmed the sex
worker solidarity show “<i>Dénonçons la violence</i>” for Chez
Stella on Dec. 17<sup>Th</sup>, 2010, and has had the pleasure of
hosting 3 Meow Mix cabarets in his Peaches Lepage persona. How to
Build a Fire Queer Sans Fin Convergence (Jan 2011), a
community-oriented performance project presented in collaboration
with Damien Luxe, Silas Howard, and Laura MacDonald, was his most
recent undertaking (more info at <span style="color: blue;"><u><a href="http://www.thedutymyth.blogspot.com/">www.thedutymyth.blogspot.com</a></u></span>
). In 2012, he was the moderator for the Concordia HIV/AIDS lecture
given by researcher Barry Adam, and gave a workshop to students in
Art-x on anti-institutional art practice.</div>
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Often performing under the stage names
Aïda Cökenbalz, Peaches Lepage, or Tooloose LeTrick, for various
benefit shows and cabarets (Faggity Ass Fridays, Up Yours!, 2boys.tv,
and Glam Gam Productions), he is a collaboration addict, replacing
his other addictions with that of performance starting with 2008's
<i>Girl Gang Thank-You Card</i> (with video collaboration by Jessica
MacCormack). In 2011-2012, he was part of a collective piece entitled
<i>Tightrope</i><span style="font-style: normal;">, wherein he joined
Montréal performance artists </span><span style="font-style: normal;"><b>2boy.tv</b></span><span style="font-style: normal;">
for shows at Toronto's Buddies in Bad Times, and for the Triennale of
the Musée d'art contemporain de Montréal. He</span> spends his time
as an editor, translator, facilitator, organizer and MC in Montréal.</div>
thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-77880322451276253862012-09-16T12:32:00.003-04:002012-09-16T12:32:56.710-04:00Peaches Lepage "First World Problems" (2010) Spark Cabaret<iframe width="405" height="228" src="http://www.youtube.com/embed/izMeWr1aZyg" frameborder="0" allowfullscreen></iframe>thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-33302444552585544192012-09-15T17:56:00.001-04:002012-09-15T17:58:12.844-04:00"Boy/Girl" by Bomb the Bass: love this song! That is all<iframe width="405" height="228" src="http://www.youtube.com/embed/91FiJsPOQTs" frameborder="0" allowfullscreen></iframe>thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-65755222729133742402012-06-06T23:12:00.001-04:002012-06-06T23:16:40.706-04:00Interview about student strike in QuébecHello readers!<br />
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Life has been busier than ever with the student strike (#ggi), red squares, (i.e. anti-tuition-hike activism), <i>casseroles</i>, and so much more... </div>
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I haven't had too much time to post about the strike for this blog, but here's a link to an internet radio interview I did with Toronto's Roy Mitchell for RoyNation:</div>
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<a href="http://www.blogtalkradio.com/roynation/2012/06/01/roynation-episode-31-proud-of-mtl">http://www.blogtalkradio.com/roynation/2012/06/01/roynation-episode-31-proud-of-mtl</a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqUonWHPUTbY96D3-rwlm0fVAOitS8XM09D8kskZeoxnzgQFTSOtkJASEv1CZwUZ0dpZxqaeyzEMs7i_mcWnBCLp13LmqZwcx-5P8BW5QdZdbceV8sruUAj0AglbTkyGcVSmkjJnNkSJ0/s1600/Roy+Nation+Mtl.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqUonWHPUTbY96D3-rwlm0fVAOitS8XM09D8kskZeoxnzgQFTSOtkJASEv1CZwUZ0dpZxqaeyzEMs7i_mcWnBCLp13LmqZwcx-5P8BW5QdZdbceV8sruUAj0AglbTkyGcVSmkjJnNkSJ0/s320/Roy+Nation+Mtl.jpg" width="278" /></a></div>
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And here's a great source, Forget the Box, which I have written for on the #ggi:</div>
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<a href="http://www.forgetthebox.net/tag/student-strike">http://www.forgetthebox.net/tag/student-strike</a></div>thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-74588496809530161382011-12-19T19:53:00.001-05:002011-12-19T20:12:07.479-05:00Persona: the Face/Mask and the Nude Male Ass (Week 2 of the Facebook Fagcott)<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp3O4ZbMqPlnk5iQPeGZ6cSXZ5g0kCqzsikNdTHnaCqEK2gWbI9p7HBZyHZ1qR0RzBIyEX5Qj93f7ypDx1fASRMyovRuFVR9dKragmhOz9jZL3V1B6jY45LTL-vPzxoVF_FNNmdHzK1cA/s1600/Valerie_Simmons_Ave_Maria_Jose_Navas_Full.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhp3O4ZbMqPlnk5iQPeGZ6cSXZ5g0kCqzsikNdTHnaCqEK2gWbI9p7HBZyHZ1qR0RzBIyEX5Qj93f7ypDx1fASRMyovRuFVR9dKragmhOz9jZL3V1B6jY45LTL-vPzxoVF_FNNmdHzK1cA/s320/Valerie_Simmons_Ave_Maria_Jose_Navas_Full.jpg" width="320" /></a></div>
It's already Day 8 of my planned 40-day hiatus from Facebook, dubbed my "Face-Lent" by my darling friend and food justice/art-maker Jessie Barr. In the last week, another exquisite <b>nude male ass </b>crossed my path, which I am all too happy to show you here.<br />
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For <b>Valerie Simmons</b>' elegant and textured upcoming show at Galerie Dentaire, one of my personal heroes of Montréal's contemporary dance élite gets frozen in time, over and over again. Known for his show-stopping performances at the Agora de la danse and Flexx, <b>José Navas</b> is an innate mover, strong, anti-balletic, and ageless. Simmons says her <i>Personae</i> ("masks" in Greek) and <i>Trois Battements</i> ("three beats") series are meant to show how<br />
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human behaviour “is impacted by its surroundings; when speaking of the surroundings, I am referring to human environment as well as human attire. That which encompasses us has agency over the roles we play,” </blockquote>
she writes eloquently in her artist's statement.
In an age where our surroundings and our relationship to them are reduced to <b>“Liking”</b> and posting on peoples' <b>“Walls”</b>, it is a relief to see a photographer taking a path that diverges from the rule of immediate comprehensibility, and strives to express something more poetic.<br />
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Works like Simmons' have weight and silent power, but also an erotic <i>frisson</i> from the presence of Navas in various nude or semi-nude poses. Images like “Ave Maria” (above) of the nude male buttocks can get you “reported” on Facebook, as happened to yours truly on December 10th after I giddily posted an image by French neo-mannerist photographer <b>Vincent Malléa</b> (<i>Pain Capital</i>, see previous post).<br />
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<blockquote class="tr_bq">
It led me to wonder how we have come to so police and diminish our visual and social worlds that one or more of my own contacts chose to report me to the site's censors rather than discuss the merits or challenges of nude male butts in artwork with me directly. </blockquote>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNkizGIwcMMhW1WjjSOsjyBxqgBZLYvaNihmq6Fbo8ylvksHXt85fz7L7oWtmRXYoMVoyChAXvO0lPecG4tjaML0UWjJKJXrIcTGykXvxtzWS4-P8Sqe2x3Lfvim_mln4NQK_BYzmpCEs/s1600/Nude+Male+Butts.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNkizGIwcMMhW1WjjSOsjyBxqgBZLYvaNihmq6Fbo8ylvksHXt85fz7L7oWtmRXYoMVoyChAXvO0lPecG4tjaML0UWjJKJXrIcTGykXvxtzWS4-P8Sqe2x3Lfvim_mln4NQK_BYzmpCEs/s320/Nude+Male+Butts.jpg" width="220" /></a></div>
It was a maddening experience to then be temporarily banned from the Book of the Face (for over a day), which led me to the decision of taking a 40-day hiatus which I now call my Face Lent.<br />
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As I write this I am on day 8, and already, I find I have more original ideas, an expanded vocabulary, and I had a three-hour long hang-out with a close friend I hadn't spent sustained time with in over four months. I also find myself less concerned with where I am <i>supposed to be</i>, and more concerned with where I <i>am.</i></blockquote>
With the Harper Government pushing through Parliament its notorious Omnibus Crime Bill C-10, which will impose mandatory minimum sentences for minor drug and non-violent crimes, and broadly expand the prison sentences for any sexual behaviour at or around minors, the issue of nudity in visual culture is poised to become hyper-relevant once again. If <a href="http://www.itcouldgetworse.com/" target="_blank">Bill C-10 is passed by the Senate unamended</a>, many readers of LGBT and art publications could be charged with exposing sexually explicit material to minors, for merely displaying (or holding a copy of) some of the artistic images in galleries or publications that happen to contain nudity when people under 16 are present. The devious and Puritanical nature of Bill C-10's sweeping new sentencing guidelines are none other than a reflection of who supports the current Government and why: social control in a punishment-based society functions on suspicion, judgement, and an irrational equation of nudity with porn, drugs with violence, and criminality with mere irresponsibility.<br />
<blockquote class="tr_bq">
It is well known that poverty and discrimination are the real reasons that crime exists. Who's reporting on that?- Jordan Arseneault</blockquote>
Image: “Ave Maria” by <b>Valerie Simmons</b> with<b> José Navas</b>
Exhibit: Jan 6-25th, 2012.
<b>Vernissage January 7th, 2012</b>. Galerie Dentaire 1239 rue Amherst, Montreal<br />
Photos by Valerie Simmons, Danser and model: José Navas - (Compagnie Flak) <a href="http://www.galeriedentaire.com/" target="_blank">www.galeriedentaire.com</a>thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com0tag:blogger.com,1999:blog-8116710499655841593.post-91994962021125209862011-12-11T03:47:00.001-05:002011-12-11T05:09:02.780-05:00Jordan Arseneault's Facebook boycott: day 1Hi and thanks for taking the time to read something other than your friends' status updates. I know Facebook (or the Book of the Face as I was once fond of calling it) is an effective, yet addictive medium that many have bemoaned in recent years. Against our better judgement, most of us born after 1970 in the high-speed internet zones of the industrialized world have become entranced by its efficacy for transmitting undeveloped thoughts, emotional blurbs, and, most effectively of all, digital photographs and event promotion details.
Notwithstanding my utter enthralment with this "social" network website, <b>a recent incident of reporting/censorship</b> has alerted me to the need to step back from it, and remember that, like ALL successful profit-based tools, its primary function/purpose is threefold:
<blockquote>
1) To make its users/buyers feel is it is a necessity__________;
2) To promote related or unrelated products and services we do not need ______________________________________________;
3) To perpetuate ITSELF.</blockquote>
As a profit-based tool, the Facebook is also, always, at all times <b>a reflection of the socio-political <i>mores</i> of its makers</b>, and of their historical context. It is entirely a tool of its time in that it<i> may</i> be used to transmit valid or valuable ideas or information - but that is not and will never be its main purpose. Try as we might to use FB to, for instance, raise political awareness about issues, promote benefit parties, or share news stories about natural disasters, wars, and bad/good/OMG things happening to our fellow human beings, the content of Facebook will always be muted by its function: and its function is to give us the illusion of connection, and to ensure constant, ever-increasing <b>profit for its makers/owners</b>.
Much has been said (by <b>Wipeout Homopbobia on Facebook</b>, for example) and many status updates made on the issue of Facebook's <b>user-based "reporting"</b>, which is but one example of Facebook's amoral, entirely contemporary nature. Facebook's abject refusal to allow for nudity or the depiction of illicit drug use, or other "offensive" material (which, to its credit, supposedly includes racist saying/images) says more about what my generation's superego <b>wants to show about itself</b> than about who we are and what we <i>think<i></i></i> about the people and world around us. When one of my one thousand, three hundred and ninety-eight "friends" reported (in a two-step mouse-click process) <a href="http://www.artevistas.com/b2c/index.php?page=pp_apertura_page.php&dir=1&md=0&tip=1&url_=tatuaje-vincent-mallea-en.htm&cod=14">Vincent Malléa's <i>Pain Capital</i><div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDRIZbPF9lHer3AkUnX4Os9eVcuUCv7dLcNw-aN53PabULEk1FHQVRVaP4EUoqyZQxrhpGe3ajO0b9PMr3aMbJczFWmJhSByn7LPos163AoVwifBDGi9nzB7NTtEQATDfocQ1mBA1pTa0/s1600/vincent_mallea+Pain+Capital.jpg" imageanchor="1" style="clear:right; float:right; margin-left:1em; margin-bottom:1em"><img border="0" height="320" width="210" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDRIZbPF9lHer3AkUnX4Os9eVcuUCv7dLcNw-aN53PabULEk1FHQVRVaP4EUoqyZQxrhpGe3ajO0b9PMr3aMbJczFWmJhSByn7LPos163AoVwifBDGi9nzB7NTtEQATDfocQ1mBA1pTa0/s320/vincent_mallea+Pain+Capital.jpg" /></a></div>
</a> late Friday night, (early Dec 10th, 2011, mere minutes after I posted to <i>my</i> "wall") it was the second time such a "report" had been made on my profile, and the second time that it involved that oh-so-unequivocally sexualizable photographic representation of a <b>nude male buttocks</b>. I will refrain, for the time being, from discussing why I think one of my Facebook contacts might have chosen to report this particular image, and concentrate instead on the all-too-obvious notions that underlie it:
<blockquote>1) Porn is everywhere, and available everywhere online, but a significant consumer population disapproves of nudity and equates it with porn_____;
2) Facebook must at all costs maintain its "all ages", "child-friendly" PG13 status in order to ensure constant and immediate access to teenage and child users who will become as addicted to it as I was ___________________________________________;
3) One of my own contacts believes that it is within his or her right (or obligation!) to control what I show to my other 1397 contacts, when and how.
</blockquote>
All of which leads me to one conclusion: <b>I have to get off the Book of the Face before I lose touch with reality</b> and with the inherently profit-based and malignant nature of such a website's underlying structures. There was a time before the Facebook, before Myspace, and before <b>Friendster</b>, and there will be a time when even Facebook will become obsolete. This is why <b>I am NOT boycotting Facebook by deleting my profile</b>. Sadly, many, many of my contacts have been made solely through its interface, and it remains one of the three main ways groups <i>of people</i> to which I belong communicate valid, usable information. I am not "going off-Book" because I am scared of its impact on my "privacy", whatever that is. <b>Nor do I decry its flattening of social interaction</b>: frankly, there are a lot of people whom I was all too glad to have only limited, superficial contact with, such as the people obsessed with cat videos and "I/ my-boyfriend" statements, whose stories I have been "hiding" since that blessed function was introduced.
I am <i>boycotting</i> Facebook for two succinct reasons:
<blockquote>1) One of my contacts believes in censorship and in profit-based control of society. I decry their motives and challenge them to criticize my posting of partial non-frontal male nudity to my FACE, <i>to my actual fucking FACE, you bastard! THEN we'll having a meaningful conversation, you coward (whoever you are)</i>!</blockquote>
<blockquote>2) I need to prove to myself that I can function effectively off its all-engrossing, White Eurocentric capitalist American-made system of manipulation. If the medium is the message, Facebook's message is "profit is more important than nude male ass," and my message is: "blog and write and share images using less intrusive web interfaces now, while the Internet is still affordable - at least in <i>most parts</i> of Canada and the industrialized West."</blockquote>
And fuck you forever you homophobic art-hating censorship-loving piece of shit who reported Vincent Malléa's <i>Pain Capital</i> image post. I will be making weekly updates on the progress of my albeit half-assed boycott via this blogspot, which, thank you very much, you can fucking report if you fucking want to: I know Wordpress now!thedutymythhttp://www.blogger.com/profile/13485168136965841569noreply@blogger.com1